This print-based practice explores the intersection of systems, repetition and controlled chance through screenprinting, photogram techniques and layered colour processes. Drawing on influences from brutalism, modernist design, op-art and retro-futurist graphics, the work examines how simple rules and slight misalignments produce complex visual outcomes. Since 2008 the practice has developed an extensive archive of prints, ranging from geometric recombinations and custom halftone studies to colour-offset compositions, each created through hands-on experimentation with pattern, sequence and material behaviour. The resulting images sit between precision and improvisation and reflect the artist’s parallel engagement with sound and structure.